A Window View Line-up of my 2013 batch of six instruments
Below are some random, unrelated matters "about" Jwa Guitars you may find interesting or entertaining
My work is endorsed by numerous high profile personalities.

Not the least of which include my mom and 1st grade elementary teacher, Mrs. Sodergren. In the Fall of 2012, my folks sold the family homestead of 50 years . During the move, my mom discovered this fine green model clay Elephant I sculpted in 1959 at the tender age of 6. After saving this piece for 53 years, she delivered it to me, with love, a heart felt blessing of my guitar venture and an endorsement note from another big supporter, Mrs. Sodergren. The note reads, "Dear Mrs. Anderson, Jay made this elephant last week. I think is unusually good and thought you might like to keep it - if it hasn't changed it's shape on the way home!"     Lois Sodergren

Been sculpting every since.

Above, the pair of tickets that started this guitar thing.
The first Friday in August 2003 I took my lovely wife Wendy to a James Taylor Concert.  I'm a big fan.

Much of my junior year in high school was spent listening to the Sweet Baby James album, dissecting the various chord progressions and earnestly performing for my friends and family but I digress.After the first set intermission, James returned to the stage and announced to the entire auditorium that all of his guitars are made by a local guitar builder by the name of Jim Olson. I was amazed and then so excited to learn that one of the finest luthiers on the planet works right here, in Circle Pines, MN.
Monday morning I googled Olson Guitars, got the number and made a telephone call. Expecting a receptionist or voice-mail, I was very surprised when after two or three rings the phone was answered and the voice on the other end said, "Hello this is Jim". The conversation that ensued is a good story for another day. But suffice it to say, forty-five minutes later I was in Jim Olson's guitar shop for the first time. Listening and learning about what it takes to be successful building high-end acoustic guitars. The phone calls and trips to the shop continued. Now these many years
later, I have Jim to thank for helping me find my way in this practice of Lutherie. I count Jim Olson my Inspiration, Mentor and Friend.

What does a fine acoustic instrument sound like? 

Well, I have learned over the years that, it depends.

In 2003, Jim Olson told me that the key to a great guitar is the top. "If you have a good tone wood on the top, you can 

build the back and sides out of cardboard and it's gonna sound pretty good." (i.e. google Bob Taylor's Pallet Guitar)  I asked Jim in November 2012 if he still stood by that statement and he said that he did. He went on to tell about a customer that had waited seven years for his Olson guitar to be delivered. After the guitar was delivered and much to Jim's surprise, the customer called back to say he was so disappointed with his instrument he could not accept it. The problem he explained, it did not sound like an Olson guitar.

James Taylor happen to be in town when the instrument was returned. After hearing the story, James asked to see the guitar that did not sound like an Olson. He played it, loved it, said it was just what he was looking for and bought it on the spot. Now, I'm thinkin' how a guitar sounds may very well be a subjective matter of opinion rather than an objective matter of fact. I'm also thinking this story makes a good case for keeping everybody happy and selling instruments from existing inventory.

No kidding, here's a vintage 1970 Solid White Oak Dulcimer sporting a custom hand-carved mahogany bridge,
copper sleeved saddle and duo peace symbol sound holes. Built from plans I made up, because I was curious, for no other reason than I could. I'm like that. While this exercise did not result in a fine acoustic instrument, it did satisfy my curiosity at the time. Turns out that 5/32" thick white oak is not what you could call quality tone wood. It is however, extremely stable23 years in my unconditioned attic space and not one crack in the wood or finish. This story affirms my current pursuit of tone quality ahead of the elusive "perfect high gloss finish". I am just not interested in Shiny. High gloss is too harsh, reflective and distracting for the likes of my eye. I can't appreciate the wood when it's shiny. However, if you like beautiful satin woodwork, I'm your guy!
My two favorite new tools: 37" drum sander and 17" band saw. With this 2011 investment in a new guitar shop, I may have made the last career decision of my life. I think can see the end from here and actually take great comfort in that view. Cheers and here's to indoor work, small wood pieces and no heavy lifting.
Nice Autumn Light View from The Shop Window.
 
And finally before you go, you are invited with tongue in cheek, to view the epic 2011 You Tube video titled: "A Brief History of Jwa Guitars".
In this Season, I've come to appreciate that there is more to life than increasing it's speed.